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Wired for Beauty: Neuroaesthetics in the Built Environment

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Wired for Beauty: Neuroaesthetics in the Built Environment

Spaces are not passive backdrops. They are active agents in human health and well-being. This means that every design decision we make either supports or undermines the people inside them. This year’s HOK Forward explores the science behind that reality and suggests what designers can do about it.

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Introduction
kay-sargent-2024-preferred-square-crop-600
Kay Sargent
Director of Thought Leadership, Interiors
Washington, D.C.
Candon-Murphy-HS-600x
Candon Murphy
Material Resource Manager
For nearly a decade, HOK has led the conversation on neuroinclusive design, culminating in Kay Sargent’s Designing Neuroinclusive Workplaces (Wiley, 2025). That work established that designing for the edges benefits everyone.

Neuroaesthetics is the study of how our brains respond to art, beauty and the built environment. Its findings show that our reactions to light, scale, pattern and material aren’t matters of taste. They’re a complex interplay of biology, culture and individual cognition. Because context and personal experience shift how a space is felt, designers must intentionally apply neuroaesthetic principles to consistently evoke a desired emotional response.

This edition of HOK Forward picks up where the book left off, exploring how that science can move our profession from intuitive design to biological intentionality. We want to design not just for how spaces look, but for how they make people feel.
Introduction
kay-sargent-2024-preferred-square-crop-600
Kay Sargent
Director of Thought Leadership, Interiors
Washington, D.C.
Candon-Murphy-HS-600x
Candon Murphy
Material Resource Manager
For nearly a decade, HOK has led the conversation on neuroinclusive design, culminating in Kay Sargent’s Designing Neuroinclusive Workplaces (Wiley, 2025). That work established that designing for the edges benefits everyone.

Neuroaesthetics is the study of how our brains respond to art, beauty and the built environment. Its findings show that our reactions to light, scale, pattern and material aren’t matters of taste. They’re a complex interplay of biology, culture and individual cognition. Because context and personal experience shift how a space is felt, designers must intentionally apply neuroaesthetic principles to consistently evoke a desired emotional response.

This edition of HOK Forward picks up where the book left off, exploring how that science can move our profession from intuitive design to biological intentionality. We want to design not just for how spaces look, but for how they make people feel.
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